After the show, I found this book at the museum shop. It relates conversations over many years between the art critic Martin Gayford and David Hockney. The artist discusses his life, his artistic process, and his thoughts on art. It's a very intimate and insightful look at a legendary artist and I'm really enjoying it. You can get it on Amazon here.
In writing this blog, I came across this excellent article from the New York Times that really seems to capture David Hockney's quirky, stubborn, intellectual, curious, and playful spirit while explaining many of the influences in his work. Definitely check it out if you'd like to know more.
I hope you've enjoyed this virtual museum visit! Where shall we go next?
I was so happy to be able to visit this major retrospective of David Hockney's work at the Metropolitan Museum in New York. I was familiar with his work and have always admired his color sense and his moody, enigmatic portraits. Most of his work is very large, so I knew that seeing his art in person would be a totally different experience from seeing it on the computer or in a book. I also wanted to get a sense of the artistic progression throughout his long career (he's now 80), and to understand his different influences and styles.
This iconic Hockney painting is one of his best known. In person it is bold and powerful. I love how he gave the feeling of water by simplifying shapes and colors. The light colors, dark shadows, and powerful reflected light create a scene shimmering in strong California sunlight.
This is the first of Hockney's double portrait series, which often showed couples in intense, emotionally ambiguous poses set in their homes.
Later Hockney switched to oil paint and created intensely colored landscapes of his native Yorkshire, England.
The artist often created very large paintings made up of many medium sized canvases, each taken from a slightly different perspective, as if one were to turn a bit to look to each side or up and down to see each individual view.
This painting, like many in his later years, plays with perspective. For instance, here the deck seems to both advance and recede at the same time.
Hockney was an early adapter of drawing on the iPhone and later the iPad. For years he has created small daily sketches of views from his house and of household still lifes and posted them to friends.
I'm Linda Hugues and I paint scenes of people and places from my vacations in Europe and my travels in Florida. Here on my monthly blog I write about everything related to my art life, in and out of the studio. Enjoy!